With a passion for preserving the beauty of art I am here to help you to take care of your art pieces.
As a trained painting conservator based in Oxfordshire, using advanced conservation techniques and materials to clean, repair and restore fine artworks to their original condition in a professional manner.

My philosophy of the treatment of artifacts is based on minimal intervention and focus on the small details, combining traditional methods with the latest conservation trends.

Each artwork is unique and carries it’s own history by embracing minimal invention I aim to preserve the authenticity and integrity of the original piece.

I graduated from the Hungarian University of Fine Art as a painting-conservator in 2009. and since then I’ve been working in this field. Currently, I working on paintings from private collections, as well as having had the privilege of conserving paintings at Queen’s College, Oxford.

Field of expertice

• Art conservation from historic oil painting to contemporary artwork
• Dark or yellowish old varnish and discoloured overpaint removal
• Cleaning test
• Oil painting cleaning
• Repair of damage
• Canvas torn repair
• Paint losses
• Retouch
• Frame cleaning and repair
• Gilding
• Photographic documentation
• Conditions report, treatment report
• Preventive conservation

Cleaning

Over the years the painting becoming opaque and it’s original colours are hidden by the layers of dust and nicotine contamination. That’s amazing to see how a good surface cleaning can make a big difference!

Using a carefully selected solvent, those dirty layers can be gently removed from the surface of the painting. After the process the original colours of the painting can shine through again, bringing new life to the artwork.

Damage repair

Restoring damaged painting requires a delicate touch and a deep understanding of artistic techniques. When it comes to repairing a damaged painting, there are various techniques that can be used depending on the specific issues.

Damage may include surface abrasions, water damage, cracking, flaking paint, paint losses or tear repair in the canvas that needs to be repaired. The tears of the canvas can be repaired undetected and the missing paint layer can be replaced by retouching using the same brushstrokes as the artist’s technique.

Varnishing

Aging can cause the varnish layer on a painting to become discoloured and micro-cracks appear on it. Over time varnish turn yellow or dark brown due to effects of light exposure, environment and chemical reactions. This discolouration can greatly affect the overall appearance and vibrancy of the artwork.

Removal of old layers of varnish the original colours of the painting are visible again, and it’s unique and delicate brushstrokes. Once the old varnish has been removed a new layer of conservation-grade varnish can be applied which layer serves to protect the painting and enhance its colours and overall appearance.

Paint Consolidation

Paint consolidation is the process of stabilising flaking or loose paint to prevent further deterioration.

According to one the most important guideline of conservationists, all interventions should be the smallest and always reversible. If possible, I choose to use the water-based materials or the least toxic products if it is necessary.

Portrait conservation

Family portraits are such special treasures that bring generations together. Preserving their beauty is indeed crucial to ensure that future generations can cherish and connect with their family history.

Cleaning and conserving artworks are essential steps in ensuring that a painting regains and maintains its original value.

Additionally, making and photographic documentation of the restoration process can provide valuable records and insights into the conservation work done.

canvas paintings / panel paintings

Conservation of Wall paintings and murals

wall paintings / marble imitation / frescoes / secco / sgraffito

Terms and Conditions

By delivering or leaving an Artwork at the Studio (whether for assessment, treatment, storage or any other purpose), the Client acknowledges and agrees that these Terms & Conditions apply to the Artwork and the services to be provided, and that the Client is bound by them. The Client’s delivery or continued presence of the Artwork at the Studio constitutes acceptance of these Terms.

 
The Client warrants that they are the legal owner of the Artwork or are authorised to act on behalf of the owner, that the Artwork is free from any third-party charges, and that no third party has any lien or claim over it. The Client shall indemnify the Studio against any claim arising from breach of this warranty.

A written estimate/quote and, where applicable, a condition report will be provided and form part of the contract. Any work outside the agreed scope will only be carried out following the Client’s written consent. The Studio will use reasonable skill and care in performing the Services. 

1.1.The quotation is subject to the availability of labour and used materials. 

1.2.On receiving and assessing the artwork the Brushstrokes-ann reserves the right to adjust the quotation should further or less work be required, the Client will be informed of the quotation change.

1.3.All quotations are valid for a period of 3 month. 

1.4.On completion of the Conservation work Brushstroke-Ann will send the Client an invoice, and the Client will pay for the work on receipt of the invoice by bank transfer or cash. 

1.5.The payment is due to the collection. I’ll not be able to release the artwork until the Client has paid in full. 

1.6.I take a 50% deposit at the beginning of the Conservation work the remaining amount of 50% of the invoice is payable once the conservation work has been completed prior to collection of delivery of the artwork. 

1.7.I take a photographic record of the artwork’s condition before, during the conservation and after treatment for marketing purposes, if the Client does not wish to publish these photos, please let me know in writing.

1.8. Artworks remaining at the studio for 28 days following an assessment report or services are completed will be subject to a charge of £20 per item per week.

Aniko Dioszegi is an accredited conservator-restorer a member British Association of Paintings Conservators (BAPCR) and a Pathway member of the Institute of Conservation (ICON).