Integrating worn gilding There are several approaches to integrating worn gilding, depending on the object, the extent of the losses and the desired visual effect. In this case, I chose to use watercolour to subtly tone the worn areas, harmonising them with the surrounding gilding while preserving the original surface…
Revealing the original details of a still life
This still life painting, depicting a selection of fruit arranged on white damask tablecloth, had become altered over time, with areas of overpainting added sometime after the Second World War. After conservation the painting appeared clearer and more balanced, with the original colours and details.