Integrating worn gilding There are several approaches to integrating worn gilding, depending on the object, the extent of the losses and the desired visual effect. In this case, I chose to use watercolour to subtly tone the worn areas, harmonising them with the surrounding gilding while preserving the original surface…
Stabilising flaking paint
Flaking and lifting paint requires careful consolidation to prevent further loss and stabilise the fragile paint layer. The process involves securing the loose flakes back into place using a suitable conservation adhesive, while applying minimal pressure. This helps to ensure the long-term stability of the paint layer and a more…
Revealing the original details of a still life
This still life painting, depicting a selection of fruit arranged on white damask tablecloth, had become altered over time, with areas of overpainting added sometime after the Second World War. After conservation the painting appeared clearer and more balanced, with the original colours and details.
The risks of cleaning oil paintings at home without professional guidance
Professional cleaning begins with a careful examination of the painting’s surface and canvas, followed by testing and thorough assessment. Over decades, dust, nicotine, and airborne particles can accumulate within the fibres of the canvas, forming a greasy, discoloured surface layer that obscures the original appearance of the painting. Cleaning an…