Integrating worn gilding There are several approaches to integrating worn gilding, depending on the object, the extent of the losses and the desired visual effect. In this case, I chose to use watercolour to subtly tone the worn areas, harmonising them with the surrounding gilding while preserving the original surface…
Stabilising flaking paint
Flaking and lifting paint requires careful consolidation to prevent further loss and stabilise the fragile paint layer. The process involves securing the loose flakes back into place using a suitable conservation adhesive, while applying minimal pressure. This helps to ensure the long-term stability of the paint layer and a more…
From missing detail to a seamless finish
Over time, frames can accumulate dust and surface dirt, while knocks and losses can affect their decorative surfaces. The frame of Queen Mary portrait was carefully cleaned and a mould was taken from the intact decorative areas, allowing the missing ornament to be accurately reproduced and integrated into the damaged…
The risks of cleaning oil paintings at home without professional guidance
Professional cleaning begins with a careful examination of the painting’s surface and canvas, followed by testing and thorough assessment. Over decades, dust, nicotine, and airborne particles can accumulate within the fibres of the canvas, forming a greasy, discoloured surface layer that obscures the original appearance of the painting. Cleaning an…